
Silent Mystery and Detective Movies
Ken Wlaschin
₹3,551

Hitchcock and His Imitators
by Bruce Isaacs
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In a now-famous interview with Fran�ois Truffaut in 1962, Alfred Hitchcock described his masterpiece Rear Window (1954) as "the purest expression of a cinematic idea." But what, precisely, did Hitchcock mean by pure cinema? Was pure cinema a function of mise en sc�ne , or composition within the frame? Was it a function of montage, "of pieces of film assembled"?
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