
The Music of Bela Bartok
Elliott Antokoletz
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Trauma, Gender, and the Unfolding of the Unconscious
by Elliott Antokoletz, Juana Canabal Antokoletz
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Two early twentieth-century operas -- Debussy's Pelleas et Melisande (1902) and Bartok's Duke Bluebeard's Castle (1911) -- transformed the traditional major/minor scale system into a new musical language. This new language was based almost exclusively on interactions between folk modalities and their more abstract symmetrical transformations.
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