
Othering of Women in Silent Film
Barbara Tepa Lupack
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by Barbara Tepa Lupack, Michael T. Martin
Indiana University Press (Ips)
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In the early 1900s, so-called race filmmakers set out to produce black-oriented pictures to counteract the racist caricatures that had dominated cinema from its inception. Richard E. Norman, a southern-born white filmmaker, was one such pioneer. From humble beginnings as a roving "home talent" filmmaker, recreating photoplays that starred local citizens, Norman would go on to produce high-quality feature-length race pictures.
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