
Il Trittico, Turandot, and Puccini's Late Style
Andrew Davis
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Romantic Narratives in Chopin, Schumann, and Brahms
by Andrew Davis
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In Sonata Fragments , Andrew Davis argues that the Romantic sonata is firmly rooted, both formally and expressively, in its Classical forebears, using Classical conventions in order to convey a broad constellation of Romantic aesthetic values. This claim runs contrary to conventional theories of the Romantic sonata that place this nineteenth-century musical form squarely outside inherited Classical sonata procedures.
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