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Cover of Captive Audience

Captive Audience: Prison and Captivity in Contemporary Theatre

by Thomas Richard Fahy, King Kimball

Taylor & Francis Ltd · 2003

A collection of essays on how contemporary theatre handles incarceration, looking at its social, gendered, ethnic and cultural dimensions. Suited to theatre and drama scholars.

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About this book

Captive Audience is presented as the first collection devoted to this subject. It looks at the social, gendered, ethnic and cultural problems that come with incarceration, as they appear in contemporary theatre.

The volume opens with an essay by Harold Pinter. Later essays look at film scripts Pinter wrote for The Handmaid's Tale and The Trial, prison-based theatre projects, and Marat/Sade. Together they show how stage work responds to captivity in very different settings.

The book suits students and scholars of theatre and drama who want a focused account of prison and captivity on stage. It is published by Taylor & Francis, ISBN-13 9780415965804.

At a glance

  • First collection on incarceration in contemporary theatre
  • Opens with an essay by Harold Pinter
  • Covers Pinter's screenplays for The Handmaid's Tale and The Trial
  • Published by Taylor & Francis, ISBN-13 9780415965804

Book details

ISBN-13
9780415965804
ISBN-10
0415965802
Authors
Thomas Richard Fahy, King Kimball
Published
2003
Series
Studies in modern drama
Pages
196
Language
English
Condition
New
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