
PRAXIS Der Brustoperationen
Uwe Herrmann, Werner Audretsch
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Singing Devils and Distant Sounds Volume 14
University of California Press
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Why are some of the most beloved and frequently performed works of the late-romantic period--Mahler, Delius, Debussy, Sibelius, Puccini--regarded by many critics as perhaps not quite of the first rank? Why has modernist discourse continued to brand these works as overly sentimental and emotionally self-indulgent?
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