
Schenker's Argument and the Claims of Music Theory
Leslie David Blasius, Ian Bent
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by Leslie David Blasius, Ian Bent
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Heinrich Schenker's theoretical and analytical works claim to resubstantiate the unique artistic presence of the canonic work, and thus reject those musical disciplines such as psychoacoustics and systematic musicology which derive from the natural sciences. In this respect his writing reflects the counter-positivism endemic to the German academic discourse of the first decades of the 20th century.
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