
Conscription, Family, and the Modern State
Dorit Geva
₹5,203

The Emergence of Race in Eighteenth-Century British and American Culture
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The figure of the grateful slave, devoted to his or her master in thanks for kind treatment, is ubiquitous in eighteenth-century writing from Daniel Defoe's Colonel Jack (1722) to Maria Edgeworth's 'The Grateful Negro' (1804). Yet this important trope, linked with discourses that tried to justify racial oppression, slavery and colonialism, has been overlooked in eighteenth-century literary research.
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