
Jahrbuch Für Psychodrama Psychosoziale PRAXIS & Gesellschaftspolitik 1996
Ferdinand Buer, Marianne Kieper-Wellmer, Ulrich Schmitz-Roden
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This was the age of the star. For the first time in the history of the theater, the playwright took second place to the actor; the interpretation of the role assumed primary importance in a assessing a performance. It was Mr. Kean's Hamlet first, and Mr. Shakespeare's second. What effects did this highly subjective, interpretive emphasis have on the drama? Where did it originate and how did it evolve?
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