
The Cambridge History of Music Criticism
Christopher Dingle
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Music, Art and Literature
by Christopher Dingle, Nigel Simeone
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When Olivier Messiaen died in 1992, the prevailing image was of a man apart; a deeply religious man whose only sources of inspiration were God and Nature and a composer whose music progressed along an entirely individual path, artistically impervious to contemporaneous events and the whims both of his contemporaries and the critics.
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