
New Vocabularies in Film Semiotics
Robert Stam
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Modernism, Sexuality, and Film Adaptation
by Robert Stam
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One of Fran�ois Truffaut's most poignantly memorable films, Jules and Jim, adapted a novel by the French writer and art collector Henri-Pierre Roch. The characters and events of the 1960s film were based on a real-life romantic triangle, begun in the summer of 1920, which involved Roch himself, the German-Jewish writer Franz Hessel, and his wife, the journalist Helen Grund.
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