Songs and Musicians in the Fifteenth Century

The essays in this volume are concerned with song repertories and performance practice in 15th-century Europe. The first group of studies arises from the author's long-term fascination with the widely dispersed traces of English song and, in particular, with the most successful song by any English composer, O rosa bella. This leads to a set of enquiries into the distribution and international currents of the song repertory in Italy and Spain.