
Palestrina and the German Romantic Imagination
James Garratt, John Butt, Laurence Dreyfus
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This book is not about music or politics. It is about the 'and' that binds them together. How do these fields intersect, and what theories and approaches can help us understand their interactions? How have the relationships between music and politics changed over time and across cultures, and are the familiar tools we use in dealing with them fit for purpose?
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