
The Cambridge Companion to Ravel
Deborah Mawer, Jonathan Cross, Mawer Deborah
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French concert music and jazz often enjoyed a special creative exchange across the period 1900-65. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with modal jazz in the 1950s and early 1960s, exhibited a distinct affinity with French musical impressionism.
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