
Chromatic Transformations in Nineteenth-Century Music
David Kopp, Ian Bent
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At the turn of the twentieth century, G. E. Moore contemptuously dismissed most previous 'ethical systems' for committing the 'Naturalistic Fallacy'. This fallacy - which has been variously understood, but has almost always been seen as something to avoid - was perhaps the greatest structuring force on subsequent ethical theorising. To a large extent, to understand the Fallacy is to understand contemporary ethics.
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