
Stereoscopic Cinema & the Origins of 3-D Film, 1838-1952
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The Tingler to the Wild Bunch
by Kjetil Rødje
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Through studying images of blood in film from the mid-1950s to the end of the 1960s, this path-breaking book explores how blood as an (audio)visual cinematic element went from predominately operating as a signifier, providing audiences with information about a film's plot and characters, to increasingly operating in terms of affect, potentially evoking visceral and embodied responses in viewers.
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