
The Merchant Prince of Poverty Row
Bernard F. Dick
₹4,771

Hollywood, Communism, and the Cold War
University Press of Mississippi
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The Screen Is Red portrays Hollywood's ambivalence toward the former Soviet Union before, during, and after the Cold War. In the 1930s, communism combated its alter ego, fascism, yet both threatened to undermine the capitalist system, the movie industry's foundational core value. Hollywood portrayed fascism as the greater threat and communism as an aberration embraced by young idealists unaware of its dark side.
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