The Idea of the Labyrinth from Classical Antiquity Through the Middle Ages

Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective--the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process.