
Possible South
R. Bruce Brasell
₹4,918

Black Traveling Shows, "coon Songs," and the Dark Pathway to Blues and Jazz
by Lynn Abbott, Doug Seroff
University Press of Mississippi
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The commercial explosion of ragtime in the early twentieth century created previously unimagined opportunities for black performers. However, every prospect was mitigated by systemic racism. The biggest hits of the ragtime era weren't Scott Joplin's stately piano rags. "Coon songs," with their ugly name, defined ragtime for the masses, and played a transitional role in the commercial ascendancy of blues and jazz.
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