
American Literature, Lynching, and the Spectator in the Crowd
Debbie Lelekis
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Translating, Reviewing, Rewriting
by Laura Bandiera, Diego Saglia
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Drawing on a long-standing tradition of fictional images, British writers of the Romantic period defined and constructed Italy as a land that naturally invites inscription and description. In their works, Italy is a cultural geography so heavily overwritten with discourse that it becomes the natural recipient of further fictional transformations.
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